Tillsammans

Núx brúx

Núx brúx deals with night as a space of misunderstanding, potentiality, and revolt. It proposes seeing night as the beginning of a new day, rather than the end of the day that preceded it. The work seeks to pay respect to nocturnal interspecies alliances and the rebellious economies of the night.

From the research and rehearsal diaries
During the creation of Núx brúx, choreographer Chara Kotsali collected texts, thoughts, questions and observations around the night. Below, you can explore three excerpts from her research and rehearsal diaries. Each offers a different entry point into the ideas, associations and inquiries that have shaped the work.

Blackness Strikes at the Centre of the World [1]

The chase between night and day has been going on for billions of years. The skin of the Earth changes; mountains split in two, continents shift, oceans spill into places that were once land. The Earth becomes ice, becomes forest, and now bakes like a toxic furnace until it takes on its next form.And yet, always, always, it moves through this obsessive succession of day and night.

It is day, and then it is night, and then day again, and then night.

A lazy but utterly consistent account of the history of this planet might go something like this: It was day, and then it was night.

Forever.

In truth, though, it was night first, and everything else came afterwards.

Or, to be more precise, (i)n the very beginning, first of all, there was Chaos. And then broad-bosomed Earth (...). And from Chaos came Erebus and black Night. [2]And Night, coupling with her brother Erebus, gave birth to Day. So, Day is the child of Night, the offspring of the most primordial incest, a legendary act of inbreeding that set everything in motion.

Things grow in the dark.

***

The Ambiguity of Celebration

Nights of Carnival Excess

On the fringes of violence

The crowds came together, frightened and exhilarated

A mêlée of revolution and carnival

An emancipatory night

Either a troubled border, a restless frontier

Claiming a history that leaves no traces

The place where desire and necessity meet

Stories not to fall asleep to, stories that keep you awake at night

The Nights When She Turns into a Tyrannosaurus

Nights are revelatory.

Nights are tender.

Nights are merciless.

Her first thoughts at 2 a.m.: Last league, dead last, with the swagger of a champion by morning. She feels like a football pitch somewhere beyond the zoning limits, on the outskirts of some remote mountain village.

One of those nights when she woke in the middle of the night and could do nothing but think and scratch herself, she went online to find out what might be wrong with her. She will admit that diagnosing yourself through a web search is idiotic, but she is sure you’ll admit you’ve done it plenty of times too. And, of course, she could have had every single syndrome she was reading about.

One of them listed, as a possible symptom, sleeping with your hands turned inward and curled beneath your chin—the so-called “T-rex hands.”She looked at the reference photo and thought, “Nah.” But then, just as she was about to fall asleep, she noticed that her palms were turning inward of their own accord, settling into exactly that position.

That was it.

She has been sleeping with T-rex arms.

She was born on a Monday at ten in the morning, sleeves rolled up, just a few days before the longest night of the year. Forty-two years undefeated in the service of daylight, she is chased by the light, waiting for night to come so that her soul can finally fall back into place. And now she discovers that she is a relic of the Jurassic period, curling up to sleep with the palms of a tyrannosaurus.

She have never suffered from insomnia. It’s just that sometimes she doesn’t want to “go to bed,” nor does she want to “let sleep take her” without putting up a fight.

Going to sleep voluntarily feels like a terrible surrender. And yet she admires people who so calmly accept their “defeat” and make their way to bed. They turn off the light, slip beneath the sheets, close their eyes, and allow sleep to sweep over them.

At the same time, she finds comfort in the places that never close at night: petrol stations, airports, hospitals, twenty-four-hour kiosks, pharmacies on duty, toll booths. Perhaps because she is a child of the city and needs to know that, at any given moment, somewhere, there is a person you could exchange a few words with. Or perhaps she simply cannot bear this ultimate stage of adulthood: the knowledge that no one goes to sleep after her.

She is the last person to turn off the lights and go to bed, alone in the small silence of the apartment. There is no television murmuring in the background, no other waking people in the house, nothing continuing inside it once she closes her eyes.

 

 

[1] Alice, Fabienne, ed. The Allure of Black: An Anthology of Texts on the Colour Black. Translated by Sofia Leonidi. Athens: Agra Publications, 2017

[2] Hesiod. Theogony, Works and Days, Testimonia. Edited and translated by Glenn W. Most. Loeb Classical Library 57. Cambridge, MA: Harvard University Press, 2018

 

Viktoria Andersson
Gorik Bellemans
Ruben Brown
Alvilda Faber Striim
Kaelin Isserlin
Kevin Julianto
Sierra Kellman
Sofia Larriera

Choreography & text: Chara Kotsali

Sound Design & Music: Jeph Vanger in close collaboration with the choreographer

Costume & Set Design: Periklis Pravitas
Lighting Design: Eliza Alexandropoulou

Dramaturgical Consultant: Dimitra Mitropoulou
Rehearsal Director: Matilda Bilberg

Stage Technichian: Simon Roberts
Light Technichian: Limbo Cederberg
Sound Technichian & Tour Manager: Helmer Olsson
Technical Assistant: Hasse Wallin
Technical Coordinator: Petrus Ericson

Tailor: Sandra Brännmo
Art Director & Photography: Lia Jacobi
Graphic Designer poster: Jacob Lindblad
Marketing Assistant: Evelina Lundberg
Marketer: Anna Öun

Dance Developer: Jenny Lundmark
Tour Planner: Ulrica Bergerhag
Housekeeping: Barbro Öberg
Production Assistant: Anna-leena Järvelin
Communication Strategist: Christina Wahlbeck
Producer: Sara Selmros
Artistic Director: Liz Kinoshita

Chara Kotsali
Original text

Ovid
Metamorphoses
Book I

John Dryden
King Arthur (1691), libretto
Music by Henry Purcell 

Louise Michel
Memories of the Commune / Mémoires de la Commune

Aimé Césaire
At the Locks of the Void, Solar Throat Slashed
Translated by A. James Arnold and Clayton Eshleman   

Etel Adnan
Night
Houria Bouteldja
Whites, Jews, and Us: Toward a Politics of Revolutionary Love 

Christos Oikonomou
Something Will Happen, You’ll See  

Domna Samiou
I nyhta ores dekatreis [The Night Endures for Thirteen Hours]
Traditional Greek folk song

Ma Rainey
Countin’ the Blues

Anna Meredith
Nautilus – musical inspiration for Spoken Brass